And I worry a little about some of the names used here: Oil paint and pointillism, for instance, are approximations of real-world art techniques this is a computer program, after all, and it cannot make the adjustments painters make to keep certain details prominent while changing media. I love these effects, though I'm not a graphics professional and don't use regularly. I particularly liked the Comics filter, which imitates the old Sunday colour comics as viewed under a magnifying glass, or a lot of Andy Warhol's work. You can spend a whole weekend just playing with these tools - in fact you should, if only to see what can you can do. There are two especially nice features here: You can render the final product in black and white or colour, and you can create the effect as a layer for your picture, resulting in a non-destructive change. Put it all together and you have almost infinite control over the final product. And pointillism turns the photo into a series of colour dots in the style of Georges Seurat, and you can adjust the colour variation and dot size. Doing it in pen and ink mimics stippling, cross hatching, and shading. There are about 20 to 38 preset settings ("bright colours, fat lines" "line art, sumi brush"), and there is a mind-bending array of controls for such things as shadow threshold and posterization, saturation, contrast and brightness, canvas texture and lighting.Īsk Snap Art to turn a photo of your mother into an oil painting, for instance, and you can adjust the thickness of paint, the brush size, the texture of the canvas and lighting. Pick any style, and the rendering engine will put it through its routines. Their newest is Snap Art, a series of 10 filters for stylizing photos or graphics as oil paint, pencil sketch, pen and ink, comics, colour pencil, impasto, pastel, pointillism, water colour and one that is so different from other techniques in the art world odd it is named simply "stylize." They keep playing with the filters in Adobe Photoshop and other graphics programs, as well as writing their own algorithms, until they get certain effects, then market them as plug-ins, a form of short cut to odd and interesting mutations of photographs or other artwork. Those guys at Alien Skin must have great jobs.
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